PSYCHOPATHIA SEXUALIS

FORMERLY 6th@PENN THEATRE
3704 6th Avenue • San Diego, California
• 92103-4317

AT THE CORNER of 6th AVENUE & PENNSYLVANIA AVENUE in the HILLCREST DISTRICT
619-688-9210 • office@CompassTheatre.com • CompassTheatre.com

Through May 24, 2009
COMPASS THEATRE


DIRECTED BY MARK STEPHAN

PRODUCED BY DALE MORRIS

 

June 5 - June 28, 2009
Thur  Fri  Sat 8pm / Sun 2pm



(619) 688-9210
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Update on Frances Rivera
Pyschopatia Sexualis
star hurt in
Motorcycle accident.
Frances Rivera

After the Saturday May 2nd show Frances was involved in a serious motorcycle accident.  She was taken to Scripps Hospital and is now in a doctor induced coma.  We are told her injuries are not life threatening. Sadly, we are told she may be in the hospital for months. All her ribs are broken and she will be out of work for months.  There is a donation box at the theatre if you can help.

 

 We will update this message when we learn more. Our hopes and prayers are with Frances. -- d

Actress Mary Deaton will step into the role of Lucille that Frances has been playing.

Psychopathia Sexualis by John Patrick Shanley
"A smart new comedy about men and their befuddlements and a shrink who may just be the personification of evil.…The play's first half is perfectly poised between daffy comedy and believable human neurosis which Shanley combines so well that although you never know what wacky thing is coming next, you believe it when it comes." LA Times"
• "
A salty boulevard comedy with a bittersweet theme.…Shanley's craft…is actually at high tide…thought-provoking depths." NY Magazine
"It's great fun to watch the sparks fly." BackStage West
"Shanley is a wicked writer.…In the mouths of savvy socialites and other members of the Manhattan elite, his dense, witty prose sings. A tour de force of witty, barbed dialogue."
Variety

"THE TITLE OF JOHN Patrick Shanley's Psychopathia Sexualis seems as sure a promise of depraved revelations as the next installment of The Jerry Springer Show, and although there is an element of "Quirky Men and the Women Who Love Them" in the play, it's actually a wonderful modern-day screwball comedy.

Like Coward, Shanley pokes fun at our pretensions, and to a certain extent, Psychopathia Sexualis is a farce, one that affectionately mocks the human condition as a whole. Perhaps above all, it champions honesty--to a degree in the bedroom that would make Dr. Ruth proud, but also in every other relationship. Most honestly of all, Shanley's play celebrates humans' reliance on each other, and the almost insane quest for self-improvement to which that can drive us.  --- Heather Zimmerman

Read Program (pdf)

 

Hitch Review

No Show May 7, 2009


Runs Thur Fri Sat 8pm -  Sun 2pm

Tickets $20 & $23 

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Our 2009 year of plays

 

 

Our Cast & Crew for Psychopathia Sexualis

Brianne Cross (Ellie) graduated from The College of Charleston with her BS in Psychology.  She wrote and performed at the Lovett Theater in Atlanta.  In San Diego, she has worked at the Fault Line Theater.  This is the first production she has been a part of at The Compass Theater.

James P. Darvas (Howard)  is new to the San Diego theatre scene. He hails from Cleveland Ohio, where he performed in many stage shows. His favorites include: Cloud tectonics, David Ives All in the timing, A Lion In Winter, The Nerd, and many One Act Festivals.  Since arriving in San Diego James has had the pleasure of performing The Shadow Box at the wonderful Scripps Ranch Theatre. He looks forward to many new and exciting Theatre experiences here in San Diego.



 
Reed Willard ( Arthur) is a Virginia native, born and raised in Charlottesville (central VA). He received his B.A. at James Madison University in 2006, with a major in Communication Studies and a minor in Theater. Reed began acting at the early age of 11 and continued throughout high school and college playing supporting and lead roles in major theatre productions such as South Pacific, Man of La Mancha, and Cheaper by the Dozen. He was also part of an acting troupe called VIVA (Voices for Interpersonal Violence Alternatives) which toured high schools throughout Virginia educating students on sexual violence, abuse, and rape and was awarded the "Man of Vision" award in 2001 from VAASA (Virginians Aligned Against Sexual Assault) for his work in VIVA.

Since Reed moved out to San Diego a year and a half ago, he has kept himself very busy playing the main character in several student projects, over six short independent films, three local theater pieces, including The Star-Spangled Girl and Psychopathia Sexualis and performed in the opening ceremony of San Diego's Therapist Convention on Sexual Assault and Trauma. He has also been a featured extra for CBS' The Ex List, ABC's Monk, and major Hollywood feature films, such as The Outside, Live Fast Die Young, and The Ugly Truth (starring Gerard Butler and Katherine Heigl).

Mark Zweifach (Dr. Block)   is pleased to be making his Compass Theatre debut in P.S.  Most recently, Mark was the assistant director in Harold Pinter's "Betrayal" at Pow-Pac as well as acting and directing in the 2008 North Park Playwright's Festival.  Other local theatre credits include the role of Elwood P. Dowd in "Harvey" and "Proof" both at Pow-Pac.  He also performed in "Lost in Yonkers" at North Coast Repertory Theatre and "Rumors" at Sweettooth Theatre.  He was also a member of the improvisational company  San Diego Playback Theatre.  Mark received his BA. in Theatre Arts from Antioch College and among his other theatre credits include the Obie award winning "Gloria and Esperanza" at Cafe La Mama in New York.
 

Mary C Deaton (Lucille) takes over for the role of Lucille under sad circumstances. Recently, she performed the role of Pearl in Tobacco Road at the La Jolla Playhouse and has just finished her first film in Los Angeles. In Cincinnati, her hometown, she has performed The Crucible and Into the Woods. She has received her Acting Certificate at the UC-Cincinnati Conservatory of Music. A current college student in International Relations, she is grateful for this opportunity and is keeping Frances in her prayers...


Frances Rivera (Lucille) is new to the San Diego theater scene.  She has had the great pleasure of working with such theaters as the Phoenix Theater, the Arizona Jewish Theater, the Seattle Repertory Theater, the Marin Shakespeare Theater, and the Magic Theater in San Francisco among others.  She holds a BA in Dramatic Arts and attended The American Conservatory Theater's Masters of Fine Arts Program in San Francisco.

READ ABOUT FRANCES PRESENT CONDITION

 

(Resume)

Mark Stephan (Director) is a native director who recently returned to San Diego.  He got his start at the Actors Alliance Festival, where he and his cast won Best Director & Performances for a production of Danny and the Deep Blue Sea.  He also directed the inaugural New Village Arts production, Brilliant Traces, which garnered the Critics Choice Award from the San Diego Union Tribune.  He is happy to be directing in his hometown once again.

  Jessica Crossman (Assistant Director) just graduated from UCSD and is excited to be branching out beyond her college world.  While at UCSD Jessica chaired the John Muir College Theatre Troupe where last Spring she wrote and directed an original play called Rewrite.  She also has had the pleasure of being sound designer for several productions at UCSD including the Baldwin New Play Festival show Freedom, NY.  Currently one of Jessica's original plays entitled Snow Day is slated to be performed by John Muir College Theatre Troupe at UCSD in May. 
 Melelani Satsuma (Stage Manager) started in theater at the age of twelve, performing with the Young Actor's Workshop (YAW) at Contra Costa College in the San Francisco Bay Area. With YAW, she learned everything from improvisation, song writing and choreography to costume and set design. After a relocation to Santa Monica, she co-starred in a number of shows at New Roads High School, including Fiddler on the Roof as Tzietel and Ubu Rex as Ma Ubu. She was last seen as a member of the Plaster-Saint Players in their 2002 production of Jean-Paul Sartre's No Exit where she played the role of Estelle.  

Now after a 7-year hiatus, Melelani is thrilled to be returning to the world of theater. During that time she ventured into the field of mechanical engineering at UC San Diego, but is now taking time off to pursue her true passion. Many thanks go out to the Compass Theatre for giving her this wonderful opportunity.

  Amy Peters (Set Designer)  is so grateful to be back in San Diego, her native home - town and delighted to be designing for the Compass Theatre.  Previous design experience includes “A Question of Mercy” and “Proof,” for which she earned a ‘Best Set’ award.   She recently designed lighting for Jose Rivera’s, “School of the America’s.”  Theatrical credits include:  “A Texas Romance,” at the Manhattan Playhouse; “Xtreme Unction,” a Lyceum Theatre Fritz Blitz; “Love’s Fire,” at the La Jolla Stage Co. and “Death and the Maiden,” at the La Jolla Stage Co. (for which she earned a Billie award for ‘Best Actress’ as Paulina Escobar).  Most recently she performed in the Mesa College Theatre Company’s (MCTC),  “The House of Bernarda Alba,” and is currently in rehearsal for “Steambath,” at the same venue.  Amy is a tequila lovin’ Aquarius who once had a close relationship with Shamu, at Sea World S.D., where she trained animals and performed in shows for 11 years.  She hopes you enjoy the show and, ‘hey guys…. break legs!!!’
 

Araceli Carrera (Choreographer) received in 2001 her BFA in Dance Education from Arizona State University which led to work with  Eveoke Dance Theater from 2001-2006 as teacher, visual artist, dancer and costume designer.  In 2003 she became the resident artist at Freese magnet school teaching literacy through dance under the direction of Katherine Irey.  She was invited in Dec 08 to dance with Omo Ache Afro Cuban dance Group and continuously collaborates with actors, dancers and artists throughout San Diego and Tijuana. Her first theater production as choreographer was in 2008 under the direction of Dr. Floyd Gaffney.     Araceli says, "Dancing becomes my tangible print, a delightful language that holds uninhibited truths."  Psychoanalysis Sexualis was an incredible opportunity to bring to life that thought, gracias Stephen. 

  Mitchell Simkovski (Lighting Designer)
Jamie Lloyd (Costume Designer)
  Dale Morris (Producer)

 

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Compass Theatre's 2009 Seasonn
CLICK HERE FOR MORE DETAILS

Jan 15-Feb 15
American Buffalo

by David Mamet
Directed by Ruff Yeager
Mar 1-Apr 5
Killer Joe
by Tracy Letts, Directed by Lisa Berger
Apr 19-May 24
Psychopathia Sexualis
by John Patrick Shanley
Jun 7-July 5
for Pride Month
Bad Night in a Men's Room Off Sunset Boulevard by
Ira Bateman-Gold
Jul-Aug-Sep
Resilience Festival • Challenge Theatre • Children’s Production (exact dates to be determined)
Oct 1-Oct 25
Who’s Afraid of Virginia Woolf
by Edward Albee
Directed by Shana Wride
Nov 1-Nov 29
Boston Marriage
by David Mamet
 Directed by Josh Hyatt & Miriam Cuperman

Dec 6-Dec 27
A Tuna Christmas
by Ed Howard, Joe Sears and Jaston Williams, Directed by Josh Hyatt
Click This Button to purchase an inexpensive 6-show Package
Click this Button to purchase a great 4-show Package

(Senior Package Available)
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Reviewed by Hitch
San Diego Theatre Scene

Richard von Krafft-Ebing, an Austro-German sexologist and psychiatrist, wrote Psychopathia Sexualis in 1886. The book contained studies on sexual perversity. 110 years later John Patrick Shanley wrote Psychopathia Sexualis, a play exploring one such perversity - the inability to have sex without a pair of argyle socks close by. But we are getting ahead of ourselves.

Psychopathia Sexualis is the current offering at Compass Theatre. Director Mark Stephan has cast five excellent actors in this delightful comedy about one man’s strange fetish and so much more. The director opted for choreographer Araceli Carrera’s opening contemporary dance routine lit by special-effects guru Lindsay Lawlor’s neat firefly effect. The dance elegantly sets up the audience for what is to follow.

And now on to the story: Arthur (Reed Willard) is going to marry Lucille (Frances Rivera). However, when we first meet him he is with Ellie (Brianne Cross - left) who is actually permanently partnered with Howard (James Darvis). To help us through this confusion it is necessary to enlist the help of a shrink, Doctor Block (Mark Zweifach). To be perfectly frank, he isn’t much of a help since he is probably more repressed than his clients. Playwright Shanley develops an increasingly convoluted scenario.

To know Lucille is to love her. Her wedding dress is several sizes too large and she is wearing cowgirl boots. She is a product of the Texas range rather than New York. Her accent can be cut with a serrated knife. She is, in other words, an absolute delight. She comes off not at a wealthy socialite, but as a no nonsense Annie Oakley. I kept waiting for her to pull out a six-shooter.

Bridegroom Arthur does have this one tiny problem with those argyles that he has neglected to tell his betrothed. Realizing this trauma he consults with the good Dr. Block. After many sessions the good doctor finally resorts to confiscating the argyles. At this point some of the other players consort or, at least, consult with the good doctor regarding Arthur’s problem.

With absolutely perfect timing, this excellent cast goes from scene to scene, event to event, and trauma to trauma perfectly. Rivera gives Lucille a charming balance of rough-neck Texan and charming blushing bride. She plays her character’s changes with grace. Cross’s Ellie is delightful trying to maintain a balance only to throw her friend Lucille into an uproar of emotions.

Willard’s Arthur, in many ways, typifies a groom-to-be. He handles Arthur’s fetish most amusingly. Darvis, as Howard, must continually offer sage advice and occasionally it works, but more likely something will backfire. Finally, there is the shrink. Zweifach (Mark Zweifach-Left) has given the eccentric psychiatrist believability even within the character, which is played for laughs.

Set Designer Amy Peters created a multiple location set that has been designed for relatively fast set changes. The look from one scene to another changes convincingly. It is the sound designers, Mark Stephan and Jessica Crossman, also director and AD, who created an ever changing mood from opening music to tags and stings within the play. They proved the value of music and effects that sneak in to accent a moment and leave unobtrusively.

Psychopathia Sexualis is the type of play that has you talking about scenes and bits as you drive home from the theatre. A special thanks to all who participated in bringing the show to San Diego audiences. It is playing Thursday through Sunday to May 24, 2009 at CompassTheatre on the corner of Sixth and Penn. For information and tickets call 619 688-9210 or go to Compass Theatre.com.




 
 

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