Compass Theatre ● 3704 6th Avenue ● San Diego, CA 92103 ● (619) 688-9210



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BAD NIGHT IN A MEN'S ROOM
OFF SUNSET BOULEVARD

by Ira Bateman-Gold
Directed by J. Marcus Newman

Pay What You Can Industry Night Monday June 22nd.  Buy $10 tix online or pay what you can at door.

• June 6 Special Child Abuse Talk Back with Yaron Pruginin, Psy.D. Clinical Psychologist
June 11 Special Transsexual Talk Back with 
Connor Maddocks

MUST CLOSE JUNE 28TH
"With the flash-back memories of pop singer George Michael's own BAD NIGHT IN A RESTROOM OFF SUNSET BOULEVARD, is now the successful telling  of film star MICHAEL's romance with transvestite JAMIE, and getting along with their own lives....presently heating-up-the-boards of the Compass Theatre in Hillcrest! "  -  Rob Appel June 5, 2009
"(The People at) Compass Theatre are doing outstanding work staging a wide variety of
involving, entertaining and thought-provoking plays well suited to their intimate theatre space. Bad Night in a Men's Room off Sunset Boulevard ... is no exception. We attended the last preview night and congratulate them on their choice of play, the casting and direction. Kudos all round! This is the kind of theatre experience we long since gave up on finding at the large local theatre companies. Anyone with a heart will be touched by this play and we recommend it to everyone except the most prudish." - Patron June 5, 2009
Bill Eadie Review Photos

"Ye gods, what a wealth of unrequited pain, frustration and suppressed anger ...  The issues are extremely important and painful to witness. I particularly loved the "Duet" between father and son, and there are many other places that are so fine, and lines that I wanted to take home. Devastatingly truthful lines. And that kid has the most beautiful backside I've ever, ever seen." - Anonymous Patron June 6th


June 5 - June 28, 2009
Thur  Fri  Sat 8pm
Sun 2pm

$18 - $15

Bad Night... Tickets



(619) 688-9210
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Package to see:
  • Bad Night in a Men's Room off Sunset Boulevard  (now playing)
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for both shows!
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BAD NIGHT IN A MEN'S ROOM OFF SUNSET BOULEVARD
by Ira Bateman-Gold
In 1982 when an established movie star succumbs to temptation and enters a men's room for sex, it creates a fall-from-grace seldom seen or experienced by the famous in the altered public morality of the 21st Century.  In an attempt to save his career, the disgraced actor's manager convinces him to do a play at a small regional theatre with people from the star's past. This proves difficult and often brutal. But when the movie star is introduced to a beautiful transsexual - things cartwheel out of control.
Bad Night....is a funny, gritty and moving play about flawed and damaged people.
Nudity and Adult Situations
Compass Theatre Salutes Pride Month in San Diego - July 2009
Transgendered Resources   Trans-Ponder Pod Cast  Read Press Release  Racism & Prejudice



Buy a 3 Show Package - Very inexpensive.

Cast
Marilyn Wolfe (Esther) is making her first appearance with Compass Theatre.  Her most recent roles were as Doris in the Cemetery Club and Martha in Arsenic and Old Lace.  Prior to moving to New York City to pursue an acting career, Marilyn earned a B.A. in Speech Arts and Dramatics from Rutgers University.  Some of her favorite roles are Jackie in Hayfever, Elvira in Blithe Spirit and Lina Szczepanowska in Misalliance.  Marilyn is a member of a communication and leadership organization.   Many of the speeches she delivers focus on the humorous side of the aging process.  She is excited to be a part of this wonderful cast and crew.   

Douglas Myers (Michael) 
Originally from New York City, now based in Los Angeles, Douglas’ theatre credits include Greenberg’s Eastern Standard, Simon’s California Suite, Chekhov’s Marriage Proposal and Busch’s Sleeping Beauty or Coma.  His film credits include Trouble on a Plane, Fracas, Christmas and 3-Day Weekend, the latter of which will be screening at the FilmOut San Diego Film Festival on Friday, May 29.  He is excited to be a part of Bad Night’s extraordinary and unique love story – and get the opportunity to experience the art, architecture, restaurants and beaches of San Diego.
Eduard Cao (Jamie)  A graduate from The University of Riverside, Eduard has worn many hats in theater. This singer, actor and writer has crewed for Velina Hasu Houston's House of Chaos, Love of the Nightingale, Julius Cesaer and Urinetown. He has worked with The Children's University Theater in their productions of Disney's Jungle Book and the musical Wonderland! Recently he was seen in City College's production of Swing! Some favorite roles include Baby John in West Side Story, Scarecrow in The Wiz, Puck in Midsummer Night's Dream, Paris Hilton in the student production Pieces of Paris and currently his role as Elmo at Sesame Street's Bay of Play at Sea World. Currently Eduard's been dabbling with filmmaking, currently working on his own film projects The Princess of Oz and Pop Girl. Eduard would like to dedicate his performance to Babylin Galit. A true inspiration.

O.P. Hadlock (Morty)
With over 350 production credits in almost every aspect of theatre, O.P. Hadlock brings a unique array of experience to any theatrical endeavor.  He earned a B.A. in Acting/ Directing and a M.A. in Scenic/Lighting Design from California State University, Long Beach and also holds a California Community College (Theatre Arts and Related Technologies) Teaching Credential.  O.P., or Patrick to those who know him, lists 32 acting performances in a vast array of roles as well as a background in dance both on stage and television.  He has directed 11 productions and written five plays, 15 screenplays, three novels and two short stories.  Well over 60 productions had their graphics and publicity designed by O.P.  He also held the position of Business and Promotions Manager for three theatres and an arts festival at C.S.U.F.  O.P. has worked as a Technical Director at a California University (C.S.U.S.B.) and a road house (East County Performing Arts Center).  He served as H.R. Poindexter’s Lighting Assistant for three shows; designed lighting for 39 shows, scenic design for 23 shows, costumed 6 shows, designed sound for 19 shows, and crewed over 200 shows.  He studied make-up with Richard Corson.   O.P. cofounded and was technical consultant to The Rainbow Theatricans (a professional children’s theatre company that toured into shopping malls).  Since 1990, O.P. has resided in San Diego with his lovely wife, Christine, and their menagerie of pets.  When he relaxes, O.P. spends his time at his computer, reading, attending concerts and plays, gaming, and enjoying fine food and wine.

Dale Morris* (Jake)
is an actor and director. He is a member of the Screen Actors Guild and Actors Equity Association.  He is the founder of Compass Theatre (formerly 6th @ Penn Theatre) and the San Diego Theatre Scene weekly Newsletter that has over 7000 subscribers; a founding member of Grassroots Greeks and the producer of nine Greek tragedies as well as many other shows at 6th @ Penn and Compass Theatre.  As an actor, his local appearances include: Cygnet Theatre: The Receptionist, dir by Sean Murray, Backyard Productions, Hysterical Blindness, dir by Fran Gercke, 6th @ Penn: Glengary Glenn Ross, dir. by Jerry Pilato and Bryan Bevell; Middle-Aged White Guys, dir. by Ralph Elias; The Sum of Us, dir. by Douglas Lay; …A Young Lady From Rwanda, dir. by Claudio Raygoza, Antigone & The Children of Heracles, dir. by Delicia Turner Sonnenberg; A Prayer for My Daughter, dir. by Robert May (Patte’ Award – Best Ensemble), Lyceum Theatre: Raisins in the Sun, dir. by Claudio Raygoza; Quentin Crisp Theatre: Fit To Be Tied dir. by Gayle Feldman; NCRT: The Elephant Man, dir. by Sean Murray; An American Daughter, dir. by Rosina Reynolds.  Fritz: Escape from Happiness and Unmerciful Good Fortune, dir. by Karin Williams. Sledgehammer: My Marriage to Ernest Borgnine dir. by Bryan Bevell; Diversionary: Execution of Justice.  Film: The Streetsweeper, American Daughter, Point Blank, Not Once But Twice and ’Til Death Do Us Part.  TV: Fashion House, Silk Stalkings, the O. J. Trial Re-Enactment and Angel Street. Other roles: Oliver in Return Engagements (Aubry Award); Harold in Orphans, Jerry in Zoo Story, and Sir Wilfred in Witness for the Prosecution. Prior to obtaining Compass Theatre in 2001 Dale was a property manager in several states operating large residential apartment complexes.  In 2002 6th @ Penn became a 501 (c) (3) non-profit arts organization and Dale became its producing artistic director.  *Member Actors Equity Association
PRODUCTION STAFF
J. Marcus Newman (Director)  After a brief hiatus, Marc returned to the San Diego theatre scene in 2006 when he produced and directed Moms in America, an acclaimed drama he also wrote.  As Nonnie Vishner (he changed his name in 1998) Mr. Newman directed Isn’t It Romantic and The Sisters Rosensweig at North Coast Repertory Theatre, Picnic for La Jolla Stage Company (where he briefly served as Artistic Director), eight winning Plays By Young Writers for Playwrights Project, several seasons of the Streisand Festival of New Jewish Plays, The American Dream & The Zoo Story and Butterflies are Free at the Coronado Playhouse, plus new works for the Fritz Blitz and at theatres elsewhere in California.  Marcus is also an accomplished Equity and SAG actor who appeared in Diversionary Theatre’s very first production Lunch & Dessert.  He has performed in three productions at the Welk Resort Theatre and on the stages of the La Jolla Playhouse and the Horton Grand Theatre as well as at theatres in New York and was a resident member of the Bucks County Playhouse’s acting company.  He was featured in episodes of Silk Stalkings, Renegade, Nightman and several television pilots taped here in San Diego.  As theatre instructor and playwriting coach, Mr. Newman has taught at SDSU, National University, MiraCosta College, Poway High School and Patrick Henry High School.  He privately coaches a select few acting students; scene study classes are planned for the very near future.  Mr. Newman is also at work writing his second full-length drama, Closet Justice.  He is excited to be directing his first production for Compass Theatre (or any of its former incarnations).
Marissa Oliver (Stage Manager) is excited about the opportunity to work with director J. Marcus Newman.  She's been involved with the arts throughout her life; having taken ballet and modern dance in high school and college.  Marissa has interned at the Museum of Photographic Art and assisted the artistic director at Sushi Performance & Visual Art.  She looks forward to learning about a new artistic genre.
Annie Macpherson (Stage Manager) Ever since she can remember, Annie has been a writer and performer. Starting at age 7, she and her sister wrote, directed, and acted in their own series of Sherlock Holmes Mystery plays inspired by Masterpiece Theater. The duo cast their cousins and performed for family and friends. Their first play, The Scarlet Knife, debuted on Thanksgiving in the backyard of their grandparent’s house. In high school, Annie performed and worked stage crew for Heaven Can Wait, The Crucible, and Shakespeare’s Much Ado About Nothing. She graduated from SDSU with a degree in Marketing, and is thrilled to be back in the playhouse. This is her first production with the Compass Theater.
 

  Lisa Burgess (Costume Designer) does  costume design, prosthetics and wig work  most recenty for: Compass Theatre: December 2008 A Tuna Christmas, March-April  2009 Killer Joe, and  Ariel Performing Arts:  April-May 2009  Zanna Don't!(Assistant Costume Design and seamstress). She has worked as the sound and light technician for Onstage Playhouse's Production of Birthday Suite, 2005 for which she was awarded 2005-2006 Season Best Technician Award.  Lisa performed the role of Gretal  in the San Diego Opera Company's 1979 production of the operetta Hansel and Gretel.  Since then she has been sewing custom pieces and costumes for family, friends and clients. Lisa teaches Freshman English Literature at Granger Junior High School (GJH) in National City(her alma mater), was "Teacher of the Year 2007" SUHSD,  and graduated summa cum laude with a Bachelor's degree in English Literature and a Master's Degree in Education from National University, and an additional Master's Degree in School Administration from San Diego State University(thesis pending).  She looks forward to being the GJH school Drama Club Advisor 2009-10 and helping her students discover their talents via the magic of live theater and the performing arts. Muchas gracias mi minions!
 
Anna Gomes (Graphic Design) was born and raised in São Paulo, Brazil. Graduated at the School of Architecture and Urbanism from the University of Sao Paulo (FAU USP). Studied at the University of California for one year and nowadays works for a local company doing product design and graphic design. Anna also develops work with photography and contemporary art.

Ira Bateman-Gold (Playwright)  A failed small business operator during the Bush administration, Mr. Bateman-Gold lives south of Los Angeles and spends most of his time writing or playing with his little dog "Sparky".  His play A Hundred Birds won a Patté Award in 2007 for best new play.   His most famous work Disfunctioning Disfunctionals in a World Lain Waste will be revived in Oakland, Ca. later this year at the Center for Diversity and Ebonics.  Known for his "beveled edge" style of writing, Mr. Bateman-Gold was nominated for a Pulitzer Prize for his collection of plays: Crying Tears While Straining in 2002.  His newest work Lay Down Flat Upon Me will premiere at the Toronto Stage in New Wales, Ontario in 2011.
   
 

Photo Credit: Paul Savage
psavage@savages4hire.com

Hi Res
400 Pix Wide
   
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Ed Cao as Jamie   Click Hi Res
 


Photos from here to bottom are by O.P. Hadlock
  Dale Morris as Jake Douglas Myers as Michael & Marilyn Wolf as Esther
Ed Cao & Douglas Myers O.P. Hadlock as Morty Ed Cao & Douglas Myers
   
Douglas Myers, Marilyn Wolf & J Marcus Newman    

 

 

 

San Diego Arts

Bad Night in a Men's Room off Sunset Boulevard at Compass Theatre

A performance to enjoy in a play that needs work
By Bill Eadie
Posted on Sun, Jun 7th, 2009
Last updated Sun, Jun 7th, 2009


Kudos to Dale Morris, the founder/executive director/artistic director of the Compass Theatre, at 6th and Pennsylvania in Hillcrest. He’s making a terrific effort to bring low-cost-low-budget serious theatre to San Diego. And, in Compass’ current production, “Bad Night in a Men’s Room off Sunset Boulevard,” he also turns in a first-rate performance as an actor in a show that still needs some work.

“Bad Night” hasn’t been labeled as a world premiere, but apparently it has been worked on in rehearsal by the company. Penned by “Ira Bateman-Gold” (a name that Mr. Morris has used for his writing activity in the past), the story is set on the stage of a struggling regional theatre in an unnamed heartland state. The time is 1982, and Michael (Douglas Myers), a Hollywood movie star, has returned home to appear in an Irish play that his mother, Esther (marilyn Wolf) is directing. Michael has recently been in the news because he was arrested while having sex with a transvestite in a men’s room off of Sunset Boulevard, and his wife, kids, and all of Hollywood, including his manager, Morty (O. P. Hadlock) have deserted him.

 

Photo credit: Paul Savage

If Michael’s situation wasn’t bad enough, a local church group has gathered outside of the theatre to protest his presence in town, and his alcoholic father, Jake (Mr. Morris), who is estranged from his mother, is nevertheless playing his father in the Irish play. And, the theatre’s tech person/hanger-on is a transgendered man named Jamie (Eduard Cao), who is considering sexual reassignment surgery and who also has nurtured a crush on Michael since high school.

In Act I, everyone’s pretty unhappy, except for Jamie. Esther feels stuck and unfulfilled at the theatre, and she’s upset that the only reason anyone is paying attention to her play is that her disgraced movie star son is appearing in it. Michael’s world is crumbling, and he’s unhappy that he had to go home to face his homophobic father and a continuing protest against his presence. Jake is grouchy about having to work with his estranged wife and a son who says he’s not gay but doesn’t seem sure about his statement. Morty is unhappy about losing a meal ticket. Only Jamie is thrilled to have the high school boy of his fantasies back in town. And, once Jamie dresses as a woman, Michael takes notice.

Act II focuses the relationships among Michael, Jake, and Esther, with Jamie’s presence, dressed as a woman, hovering over the proceedings. Some truths are told, but mostly hurts are exposed and resolved. The writing becomes crisper, the humor lands better here than in Act I, and the characters come into greater focus, under J. Marcus Newman’s direction. Mr. Morris, in particular, gives a fully-realized portrayal of a man torn by conflict between the people he loves, his love for the theatre and for making plays come to life, and his debilitating addiction to alcohol.

The play still needs a considerable amount of work. There are a number of anachronisms in the text that don’t jibe with social conditions in 1982. Most particularly, we never discover why Michael is so attracted to transvestites that he becomes willing to sacrifice everything in his life for the sexual thrill of being with one; in fact, the character of Michael remains somewhat opaque throughout, and Mr. Myers seemed somewhat uncertain about how to play his contradictions on opening night. But, there is humor, pathos, and grains of truth here, particularly in Act II. And, there is the pleasure of watching Mr. Morris create a most moving performance.

“Bad Night in a Men’s Room off Sunset Boulevard,” continues through June 28. It performs Thursdays, Fridays, and Saturdays at 8pm, and Sundays at 2pm. The show contains nudity, adult situations, and considerable foul language.

DOWNLOAD CAST LIST


Dates  :  June 5-28, 2009
Organization  :  Compass Theatre
Phone  :  619-688-9210
Production Type  :  Play
Region  :  Hillcrest
Ticket Prices  :  $18/$15
URL  :  http://www.compasstheatre.com
Venue  :  Compass Theatre, 3704 Sixth Ave., San Diego
     
     

 


Bad Night . . . a good night for drama

We all make mistakes. Most are inconsequential and private. Some, however, are life changing; especially in 1982. In the case of Michael (Douglas Myers), an indiscretion in a gay restroom ends his budding film career. He questions his sexuality. Thus begins Ira Bateman-Gold’s Bad Night in a Men’s Room Off Sunset Boulevard currently running at Compass theatre.

In much of the opening scene he is basically catatonic as his mother, Esther (Marilyn Wolfe), rants, trying to break through his stoic façade. The action takes place in the little theatre where she has directed for over 30 years. She, too, has frustrations. We meet her estranged husband Jake (Dale Morris), his father, only to find that he was raised by totally dysfunctional parents. Both have their own problems concerning relationships and sexuality rooted in their past.

For a very short time we meet Morty (O.P. Hadlock), Michael’s ex-manager. It is understandable why he is dropping his client, just very, very sad. It is the entrance of Jamie (Eduard Cao) into Michael’s life that creates a permanent change.

Jamie is charming. Jamie is aggressively gay. Jamie is irresistible to Michael. It is lust and love at first sight. With mom and dad out of the way, the two take only moments to strip each other. Their embrace is long and sensual. They retire to a room behind the main set. A dark screen and low lighting barely (pun intended) illuminate the action taking place. As they say, the rest is history.

Esther, meanwhile, has an Irish play to direct. She admits that Jake, an accomplished actor, is ideal for the role. Mixing the two, though, is very dangerous. They begin reading lines and move into a serious argument. The argument is spiced by slipping in and out of a heavy Irish accent. It is one of the best scenes in the play.

Bad Night in a Men’s Room Off Sunset Boulevard will not appeal to everyone. I realize that the nudity and profanity will upset some. However, the power of the acting from the cast is excellent. Director J. Marcus Newman got every ounce of emotion out of his cast. O.P. Hadlock was also responsible for light, sound, and set design, all of which worked well for this production. The pre-show sound effects set the scene well. Lisa Burgess, responsible for costume design and props, did her usual highly professional job.

 The playwright, Ira Bateman-Gold, is very shy. Note that he is covering his face in the program. I spoke to him after the production, but he quickly left, never acknowledging his additional role as the writer. Interestingly his play A Hundred Birds also premiered at the then 6th@Penn theatre. His most famous play, Disfunctiong Disfunctionals in a World Lain Waste, allegedly opening in Oakland, and his Pulitzer Prize play collection  Crying Tears While Straining proved elusive in a Google search. Even with his many deceptions we find his current work quite interesting. Hopefully you will see him at the performance you attend. In fact, I’ll guarantee it.

Bad Night in a Men’s Room Off Sunset Boulevard plays Thursday to Sunday, June 5 to 28, 2009. For information and reservations call 619 688-9210 or go to their website www.compasstheatre.com. The rest of the year they will be performing Albee’s Who’s Afraid of Virginia Woolf, Mamet’s Boston Marriage, and a Christmas Show to be announced. 

 

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